tudo isso
tudo isso
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dombarra:

T\/_!$_0/\/_/-\_G£!T<|-|_TR!p_/-\G4!/\/
dombarra:

T\/_!$_0/\/_/-\_G£!T<|-|_TR!p_/-\G4!/\/
dombarra:

T\/_!$_0/\/_/-\_G£!T<|-|_TR!p_/-\G4!/\/
dombarra:

T\/_!$_0/\/_/-\_G£!T<|-|_TR!p_/-\G4!/\/
dombarra:

T\/_!$_0/\/_/-\_G£!T<|-|_TR!p_/-\G4!/\/
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asylum-art:

Kevin Francis Gray Art
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.
asylum-art:

Kevin Francis Gray Art
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.
asylum-art:

Kevin Francis Gray Art
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.
asylum-art:

Kevin Francis Gray Art
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.
asylum-art:

Kevin Francis Gray Art
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.
asylum-art:

Kevin Francis Gray Art
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.
asylum-art:

Kevin Francis Gray Art
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.
asylum-art:

Kevin Francis Gray Art
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.
asylum-art:

Kevin Francis Gray Art
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.
asylum-art:

Kevin Francis Gray Art
Kevin Francis Gray’s 2005 body of work was so hugely appealing: London youths—the freaks and oft-romanticized street tribes of the East End—were cast as towering Rodin-like figures. These figures wore jeans, tanks, and sneakers; their faces obscured by hoodies and veils. It was urban ghetto-gothic street style immortalized in ancient materials like bronze, marble, and black resin. A once fleeting feeling was rendered permanent, mythical almost.
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Mac usp  #henriqueoliveira
Mac usp  #henriqueoliveira
Mac usp  #henriqueoliveira
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Two girls dancing during a Rolling Stones concert, Hyde Park; captured by John Minihan (1969)
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kate-jam-and-diamonds:

by Mario Sorrenti for W magazine September 2003
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sbfantasy:

i dream of love…i love to dream
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